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Celandra is a game in which the players take the roles of societies, rather than playing individual characters. The players will invent a society with its culture and heritage, and will guide its development and interaction with the world. Emphasis will be be placed on developing a detailed history of Celandra, along with myths and legends.
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AndrewJanssen
Andrew Janssen

Thu

Apr 29
2004

20:26Z

[Cel] [World] Some more thoughts on religion & art in Cedonia, past & present

Here are a few things that occurred to me after my last post. Please
note that they are in no particular order and may need a bit of polish
to make complete sense. These are not official, necessarily, I'm
throwing them out there for opinion & comment. Thankyouverramuch.

The Cedonian State Church:
--------------------------
Back at the founding of the Cedonian Empire, the First Emperor felt
that the best way to ensure the stability of the new empire was to make
sure that the State had the backing of the Gods. At the same time, he
was concerned about increasing tendencies towards religious strife &
intolerance in the empire. Using both sweet reason and brute force, the
First Emperor forced the leaders of the major religions in Cedonian
territory to attend the Grand Ecumenical Council, which ultimately
created the Cedonian State Church.

The major dispute between the religions was not really a matter of
doctrine or worship, it was financial. All Cedonian religions were, for
the most part, dependent on tithing and donations for funding. Their
competion was not so much for converts, as it was for wallets. The
First Emperor and the GEC's creation of the State Church eliminated
that competition with a combination of imperial funding and revenue
sharing.

The other effect of the creation of the Cedonian State Church was that
it increased the access of rural Cedonians to religious facilities and
services, by allowing a single temple to serve multiple gods.

The official State Pantheon includes the following Gods/Beings(although
not necessarily under these names) and assigns them the following areas
of concern:

Coron (Death, Birth, the Dead)
Lucia (Light, Justice, Truth, Knowledge, the Mind)
Arrumanthus (Farming, Fertility (always depicted as female in Cedonia))
Cedon (The River God, Patron of the Empire, Commerce, Finance, Money)
Mithrak (War, Soldiers, Technology)
Torronir (Crafts and Craftsmen)
Arlova (the Body, Health & Healing)
Kaskasoevin (Love, Food, Wine, the Trickster)
Marmdal (the Sky, Weather, Storms, (In Selaria, Horses))
The Lord of the Sea (Sailors, the Sea, Ships)

The Orders of these gods in Cedonia in Imperial times were all
subsidized by the Imperial Government. There were a few Gods whose
existence was acknowledged, but who were not admitted into the official
pantheon. Of particular note:

Yaga (War, Fear, Hate, Destruction)
Demerhaze (Night, Vengeance, Orphans)

They were excluded due to certain unpleasant aspects of their rites,
and indeed, their worship was actively suppressed.

After the fall of the Empire, the various Orders maintained their
association, even without state support. The Orders still recognize
each other's ecclesiastical ranks, they still share tithes, and they do
cooperate in the support and maintenance of rural temples and clerics.
In rural Cedonian farming villages, it's typical for a priest of Coron,
a priest of Arrumanthus, a priest of Lucia, and occasionally a priest
of Torronir to share a single temple. 

Members & priests of other religions have been both tolerated and
persecuted throughout Cedonia's history, depending on the political
climate. The present government of the Republic has not yet decided on
whether or not to resume state sponsorship & funding of the Orders.

* * * *

The Arts in Cedonia
-------------------

Priests of the Order of Coron use certain metaphors to describe how the
process of living in Celandra affects the soul. A soul begins raw and
unformed, and its various life experiences change it and shape it,
until it is collected and examined by Coron at death. Some priests use
gemcutting as their metaphor, but stone-cutting, metal-working,
wood-carving, architecture, and pottery as metaphors all have their
supporters. As a result, the Order of Coron and the Order of Torronir
are closely allied, and this has had a profound effect on the Arts in
Cedonia.

In Cedonia, the visual arts are considered to be the most important
arts, and the three-dimensional arts are the most important of the
visual arts. Cedonian literature is largely limited to drama; the novel
form has not been invented yet, and most books for adults are
non-fiction. Flat paintings and textile arts tend to be very formal and
relatively primitive in style; they are not very popular.

Sculpture is the most common of the arts in Cedonia. Nearly everyone
carves wood recreationally in rural Cedonia, and folk art woodcarvings
are highly collectible. Cedonian sculptors in stone and metal are
widely considered to be the best in Midsea, and are the most advanced
in technique. Rich Cedonians do not have portrait galleries, they have
statuary galleries. Most Cedonian buildings are highly decorated with
carved friezes, statues, and gargoyles.

The queen of the arts in Cedonia, however, is jewelry. The Order of
Coron and the Order of Torronir have an arrangement whereby the
Coronite gemcutters facet and polish gems which metalsmiths of the
Order of Torronir then sets in gold and silver jewelry of all sorts.
The revenue from the sale of this jewelry is one of the income sources
for the Cedonian religous orders that make up the State Church.

Current Cedonian tastes tend towards the ornate, if not baroque, but
there are those who advocate the beauty of simplicity.

Andrew


	
		
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